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  <title type="text">Intermountain Histories</title>
  <updated>2026-04-17T19:32:17+00:00</updated>
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    <name>Intermountain Histories</name>
    <uri>https://www.intermountainhistories.org</uri>
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    <title type="html"><![CDATA[George Edward Anderson Photographs]]></title>
    <summary type="html"><![CDATA[<p><strong><em><span style="font-weight:400;">George Edward Anderson is known for pioneering early 20</span><span style="font-weight:400;">th</span><span style="font-weight:400;"> century photography in Utah. His collection shows what was important to Utahns, particularly to members of the Church of Jesus Christ of Latter Day Saints.</span></em></strong></p><img src="https://www.intermountainhistories.org/files/fullsize/718d4ca9986add3c0b25a832b99c478b.jpg" alt="George Edward Anderson" /><br/><p><span style="font-weight:400;">George Edward Anderson was born on October 28, 1860 to parents George Anderson and </span><span style="font-weight:400;">Mary Ann Anderson in Salt Lake City. He was raised a member of the Church of Jesus Christ of Latter Day Saints. As a boy he was apprenticed to Charles R. Savage, a pioneer in photography in Utah, and set up his own studio at the age of 17. In 1886, he established the <em>Temple Bazar </em>studio in Manti, and in 1888 moved it to Springville to the southwest corner of Main and 3rd South Streets. He also operated traveling tent studios.</p><span style="font-weight:400;">Early in his career he took many studio photographs of prominent and everyday Utahns. Later he began to travel and take photographs of significant historical LDS sites. However, his travels took a toll on his relationship with his wife, Olive Lowry Anderson, so he remained home for a period. However his church commissioned him to document new temple dedications in photography. Before going to what would be his last photo shoot, his wife urged him to stay home. He ignored her warning, traveling to the Mesa Arizona Temple dedication. Shortly after the ceremony, he suffered heart failure and died on May 9, 1928 after being transported home. In his obituary the Salt Lake Telegram recounted his accomplishments in photography: “he established a studio at Springville and also had studios at Spanish Fork and Manti... He devoted considerable time to a collection of L.D.S. church historical pictures.”</span>
<span style="font-weight:400;">After Anderson’s death, his collection of photographs changed hands many times. The significance of his images were apparent to many different groups, particularly the Church of Jesus Christ of Latter-Day Saints. A group of LDS seminary teachers in Provo bought Anderson’s collection from his wife in 1928, the year he died. Later Church Historians became aware of the collection and bought it from the seminary teachers. Representatives of the Church of Jesus Christ of Latter Day Saints worked to gather all of the negatives from Anderson’s collection and brought all of his photographs into one collection. After digitizing these negatives, the Church destroyed all but 444 of the glass negatives from the collection. Finally, the collection found a home in the L. Tom Perry Special Collections at Brigham Young University.</span></p><p><em><strong><a href="https://www.intermountainhistories.org/items/show/776">For more (including 6 images) view the original article</a></strong></em></p>]]></summary>
    <published>2024-01-25T05:07:20+00:00</published>
    <updated>2026-04-17T19:32:17+00:00</updated>
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    <id>https://www.intermountainhistories.org/items/show/776</id>
    <author>
      <name>Starrla Kay Pearson, Brigham Young University</name>
    </author>
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  <entry>
    <title type="html"><![CDATA[Manti Parachute Plant]]></title>
    <summary type="html"><![CDATA[<img src="https://www.intermountainhistories.org/files/fullsize/428b82833cf91f3bd017e1f392fcf453.jpg" alt="Sewing a Parachute" /><br/><p>Between the years 1940-1944, the percentage of Utah’s workforce made up of women more than doubled—but where did all those women find employment? Many inhabitants of Sanpete county and surrounding areas worked at the Manti parachute plant, which was built exclusively for World War II and employed hundreds of women. </p><p>The plant was created by the Standard Parachute Company of San Diego in 1942, and was converted into a factory from an old armory. Workers at the plant sewed and packaged parachutes for American soldiers overseas, carefully inspecting each one to ensure its reliability.</p><p>Whether it was to support their families financially, assert female independence, or support the war effort, many Utah women were employed for the first time at this factory. Some workers came straight out of high school; others came from homes where they were raising children. </p><p>One woman who worked there, Maurine Braithwaite Draper, lived on a farm with her husband. Her main reason for working there was “to have something to do.” Aside from a newfound pastime, Maurine left her factory job with increased confidence and independence as a woman. This was helpful when she later found herself divorced and caring for children on her own. </p><p>Another worker, Zola Anderson Ruesch, had a different reason for taking a job at the plant. She had previously been working for a family in Ephraim, UT, and discovered she could make better wages sewing parachutes. Aside from financial compensation, Zola felt a sense of patriotism through her contributions to the war effort. “I felt like I was doing some good for the men in the war. This way, we could help out too.” </p><p>Zola wasn’t the only one who was financially motivated to begin work at the factory—the Great Depression had left many families destitute, and jobs were so scarce that many Utah inhabitants jumped at the new employment opportunities provided by the war. Alice Frederickson Clark, who hadn’t finished her high school education, was excited at the opportunity for work. She recalled, “I needed the money. We didn’t have lights, water, a bathroom, or anything. I was anxious to get to work.” </p><p>Alice didn’t just do the minimum to get a little extra cash—she would spend time on weekends repairing parachutes that hadn’t been sent out due to minor defects. She remembered, “I’d go in on my own time [on Saturday] and catch up on those repairs because it made me sick to see them all piled up.”</p><p>In addition to financial benefits and sense of patriotism, these women also enjoyed strong friendships with their coworkers. Alice stated, “I never worked at a place where people got along as well. It just was kind of a happy family.” While most of the young men were off at war, the young women working at the plant would spend weekends and evenings socializing together. Many of them remained friends throughout their lives. </p><p>Whether they worked somewhere else after the war ended and the factory closed, or whether they opted to be stay-home mothers, these working women and this factory made an important contribution to the USA’s involvement in World War II. </p><p><em><strong><a href="https://www.intermountainhistories.org/items/show/84">For more view the original article</a></strong></em></p>]]></summary>
    <published>2017-08-16T21:13:07+00:00</published>
    <updated>2026-04-17T19:31:59+00:00</updated>
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    <id>https://www.intermountainhistories.org/items/show/84</id>
    <author>
      <name>Aubrey Glazier, Brigham Young University</name>
    </author>
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